The Rom Com Hall of Fame – Hugh Grant

When I imagined launching this little love letter to romantic comedies, there was only one name that felt like the obvious starting point: Hugh Grant. Our floppy-haired, charmingly disheveled, master of the meet-cute. And as I started putting together this page, I had a realization that genuinely made me do a double-take: he’s been in fourteen romantic comedies. Fourteen! (At least—if I’ve missed any, do me a favor and call me out.)

Hugh has this uncanny ability to make awkward endearing and turn stammering into something close to poetry. But let’s not box him in—his talent stretches far beyond the rom-com playbook. Watch him in a drama (A Very English Scandal) or a villainous role (Heretic), and you’ll see he’s got incredible range. Still, there’s something magical about his chemistry with leading ladies.

While I wish he’d pop up in more rom-coms—his latest was a 2025 return as Daniel Cleaver in the final installment of the Bridget Jones series —we’re lucky to have the rom-com filmography that we do. Several of them have already ascended to genre royalty.

So, let’s rewind a bit.

Born Hugh John Mungo Grant (yes, Mungo—how delightfully British is that?) on September 9, 1960, in Hammersmith, London, Hugh grew up surrounded by a mix of creativity and practicality. His father was an artist and carpet salesman, and his mother was a schoolteacher.

He went on to attend Latymer Upper School and eventually found himself at New College, Oxford, where he stumbled upon acting. He joined the Oxford University Dramatic Society, polished his craft on stage, and soon enough, the screen came calling.

Hugh made his TV debut in the early ’80s with a small role in Doctor Who, but it was the 1987 film Maurice that really turned heads. Suddenly, casting directors were paying attention—and audiences were, too. Then came Four Weddings and a Funeral in 1994, and Hugh went from talented up-and-comer to full-on international heartthrob. His portrayal of the delightfully awkward Charles set a new standard for rom-com heroes.

From there, it was a rom-com golden era: Notting Hill, Bridget Jones’s Diary, Love Actually andTwo Weeks Notice. With every film, Hugh managed to take the familiar and make it feel fresh—often while wearing a crumpled suit and that signature sheepish grin.

But he didn’t stay boxed into one cinematic corner. About a Boy showed us a more cynical, emotionally walled-off version of Hugh, and it paid off with critical acclaim and a Golden Globe nomination.

Of course, there’ve been some questionable choices along the way, but Hugh’s star never truly dimmed. In recent years, he’s delivered standout performances in Florence Foster Jenkins, Paddington 2, and The Gentlemen.

Off-screen, he’s used his platform for good, becoming an outspoken advocate for press reform and supporting various philanthropic efforts.

And so, with more than a dozen unforgettable rom-coms under his belt, and a legacy that stretches far beyond them, Hugh Grant takes his rightful place as the inaugural member of The Rom-Com Hall of Fame.

Long may he stammer.