Love Actually Synopsis: Follows seemingly unrelated people as their lives begin to intertwine while they fall in – and out – of love. Affections languish and develop as Christmas draws near. It’s been a few years since I’ve sat down and watched this, and with so many ‘Love Actually is problematic’ discussions going around lately, I decided to give it another watch with a “fresh set of eyes” to see if the current social climate would somehow diminish my enjoyment of Richard Curtis’s 2003 holiday rom-com. It didn’t. Are there some issues with this movie? Of course, there are. Natalie (Martine McCutcheon) is called chubby, and comments are made about her butt and thighs, although… Natalie is not fat. Not even close. The fat jokes made no sense and had no point other than to draw laughs. The majority of storylines focus on men getting their happy ever after (Mark is the exception, although he still gets an uplifting, favorable send-off), while the two storylines centering around women (Emma Thompson’s Karen and Laura Linney’s Sarah) end in infidelity and heartbreak. There is also a distinct lack of diversity and LGBT representation. I’m pretty sure the movie could have ditched the Creepy Colin Goes to America to Get Laid storyline to reinsert the deleted scenes featuring Frances de la Tour and Anne Reid as a lesbian couple dealing with a terminal illness. Of course, had that happened, we would have probably been talking about the ‘Bury Your Gays’ trope that has plagued television and cinema, where the already sparse representation of the LGBT community gets killed off (most notably queer women). So does Love Actually have problems? Yes, it does. But despite these issues, I could still love and appreciate Love Actually for what it is. A movie that shows us that love is ‘all around us,’ whether it’s romantic, platonic, or unrequited. It’s complicated and messy. Awkward and charming. Heartbreaking and painful. Problematic! There are some hits and misses in the movie. Some of the stories suffer from a lack of adequate screen time to develop relationships, so to believe in some sudden, all-encompassing love is difficult. But some are a couple of well-developed, emotionally nuanced plots that make the movie worth a watch. I’ve ranked my favorite Love Actually storylines from worst to best below: – Colin’s desperate need to get laid – Decides he’s the god of sex stuck on the wrong continent, so he goes to America to pick up hot women and succeeds. Meh. His accent isn’t cute enough to dismiss his obnoxious behavior. – Juliet, Mark, and Peter – ‘Self-preservation’ is no excuse for being a jerk to someone you’re supposedly in love with, even if that someone is your best friend’s new wife. Also, don’t confess said love on Christmas Eve while your best friend watches television upstairs. It’s creepy. – Sarah and Karl – Sarah feels like she can’t follow through on a relationship with a man at work whom she’s been in love with for a couple of years because of her mentally ill brother, who has come to depend on her even though he lives in a care facility. If Karl knew what was good for him, he would be willing to give it a try anyway, despite the constant phone calls. Boo on Karl. – David and Natalie – There is an instant spark between the Prime Minister and his new employee, Natalie. She curses a lot, which is cute. He’s Hugh Grant, the Prime Minister, also cute. He decides to change his stance on foreign policy with the President of the United States (a smarmy Billy Bob Thornton) when he catches the President hitting on Natalie. Then, he “redistributes” Natalie because of his attraction to her. Also, there are the fat jokes. The saving grace of this story is when David goes door to door to find out where Natalie lives and ends up singing a carol for three adorable little girls with one of his security guards. – Jamie and Aurelia – Jamie’s brother is having an affair with his girlfriend, so he goes to France for a while to write a crime novel. There he meets Aurelia, a Portuguese woman who cannot speak English and cleans his villa. Jamie can’t speak Portuguese, so they learn to communicate in other ways. This is a cute story; honestly, the only one I feel could have been its own movie. I wanted to see them overcome the language barrier and cultural differences on their way to love. But we don’t get a lot of development here, so the proposal at the end, while adorable, is insanely unrealistic. But… Colin Firth, so I’m willing to let it go. – Billy Mack and Joe – Billy Mack is by far the most entertaining part of Love Actually. An aging rock star who records a horrible Christmas song only to find it becoming a surprise hit thanks to his No F*cks Given attitude while promoting the single, Billy is soon back on top and invited to Elton John’s Christmas bash. It turns out he would rather spend the holiday with his manager than with a bunch of scantily clad women. “You turned out to be the fucking love of my life.” – Harry and Karen (and Mia) – Okay, yes, we know Mia is a tart. They’re sure to overplay how much of a tart she is, with her overt flirtations with Harry, asking him for a pretty present in exchange for ‘everything.’ She wears devil horns to the Christmas party and wears racy red lingerie while Karen (a devastatingly good Emma Thompson) laments that she feels like Pavarotti in her frumpier wardrobe. We get it. Mia bad. But as usual, Harry’s role in this extramarital flirtation/affair is sometimes lost in how much we hate Mia. As painful as this storyline is, it’s also one of the more believable ones. Harry and Karen have a home, two kids, and a comfortable relationship,