Tag: Ernie Hudson

  • ‘Miss Congeniality’ (2000) Review

    ‘Miss Congeniality’ (2000) Review

    Miss Congeniality Synopsis: An F.B.I. Agent must go undercover in the Miss United States beauty pageant to prevent a group from bombing the event.


    I’ve been in sort of a movie slump lately, which sucks, but I’m also making pretty good headway with my Goodreads challenge! That being said, I watched Miss Congeniality on Saturday, and I realized I was dragging butt with my review, so I was determined to get it published today. Oi.

    Grace Hart (Sandra Bullock) is a tough, somewhat under-appreciated FBI Agent who is demoted to desk duty when her attempt to save a choking mobster during an FBI sting gets another agent shot. When a domestic terrorist known only as “The Citizen” threatens to bomb the 75th Annual Miss United States pageant, Grace suggests to the agent in charge, Eric Matthews (Benjamin Bratt), that they place an undercover agent in the pageant. Eric agrees and volunteers Grace to be that agent. Grace is reluctant but finally agrees to enter as Miss New Jersey when the original Miss New Jersey is disqualified.

    Given Grace is a tomboy with no ladylike qualities, she is given a makeover by respected beauty pageant coach Victor Melling (Michael Caine). Grace Hart is then transformed into Gracie Lou Freebush, and as she arrives at the pageant, it’s quite clear Grace is way out of her comfort zone.

    But she makes friends, most notably Miss Rhode Island, Cheryl Frasier (Heather Burns), and begins to impress the judges with her “talent” of water music and self-defense skills. Everyone seems thrilled with Grace, except for the former pageant winner and current competition director, Kathy Morningside (Candice Bergen), who feels Grace’s presence is making a mockery of the pageant.

    I’ll leave the quick synopsis for Miss Congeniality there so as not to “spoil” anything further. It’s been a while since I’ve watched this movie, and it was fun to rewatch it now, knowing how many memes have surfaced from this movie. There is Cheryl’s iconic response to the pageant MC’s question of the perfect date:

    “That’s a tough one. I’d have to say April 25th. Because it’s not too hot, not too cold, all you need is a light jacket.”

    and of course:

    “She’s beauty, she’s grace, she’s Miss United States!”

    Some fun moments hold up even nineteen years later, but the plot itself is definitely a bit lackluster. The culprit’s reasoning for wanting to bomb the pageant is just ridiculous, and Eric annoyed me much more than he did initially. He and Grace clearly respected each other before her makeover, but his interest didn’t fully kick in until she showed off her legs and wore makeup. I probably would have rooted for these two more if there had been genuine romantic interest before Grace became “beautified”.

    And, like most Cinderella Complex movies, Grace doesn’t return to her comfortable life after the pageant. She’s still ditching the glasses, styling and curling her hair, and wearing makeup with some more feminine clothing. Not that there’s anything wrong with that, but I would love to watch a rom-com where, if the main character needs a makeover for whatever reason, she also discovers she’s just fine being who she is, even if that means wearing sweatpants, and glasses and keeping her hair in a ponytail.

    That being said, I did enjoy watching Grace bond with the other pageant contestants, realizing that some of her preconceived notions about pageants were wrong. Bullock has starred in several films where her character is lonely and begins to discover what it’s like to have friends and family, and she makes it so damn endearing every single time.

    Michael Caine is delightful as Victor, and both Bergen and William Shatner, who plays MC Stan Fields, have the occasional humorous moment, but it’s Bullock who is the glue that holds the entire movie together. By the time this movie was released, she had already proven her ability as a comedic actress. If anyone can take a weak script and turn it into a successful film, it’s Bullock (on a $45 million budget, Miss Congeniality made $212 million worldwide).

    There’s nothing special about Miss Congeniality. but it’s not terrible, either. It’s just one of those movies that I find entertaining enough to watch when it’s on television, and there’s nothing else on, or if you need a bit of background noise while doing something else.

    Watched: 05/11/2019
    Notable Song: She’s A Lady by Tom Jones

    Rating:
  • ‘Nappily Ever After’ (2018) Review

    ‘Nappily Ever After’ (2018) Review

    Nappily Ever After revolves around Violet Jones (Sanaa Lathan), a perfectionist who seems to have everything. A high-powered career as a marketing director, a gorgeous house, and a successful, handsome boyfriend who she is sure is set to propose. It’s clear from the very beginning of the movie that Violet has been set on this path by her mother, Pauletta (Lynn Whitfield), whose strict beauty standards meant Violet rarely got to let her hair down, so to speak, even as a child.

    Violet doesn’t seem to realize how her mother’s demands for perfection have affected her as an adult until her longtime boyfriend Clint (Ricky Whittle) buys her a dog instead of a ring. The ensuing argument prompts Clint to tell Violet that he doesn’t know who she really is, even after two years of dating.

    She’s far too concerned about her image to let her guard down for anyone to get to truly know her. This (along with a horrible day at the salon and far too much alcohol) leads Violet to shave her head in a moment of drunken empowerment. She soon owns her new look and begins to discover who she truly is without the weight of her vanity holding her down.

    In the process, she begins a relationship with a hairdresser, Will (Lyriq Bent), and becomes close with his daughter, Zoe (Daria Johns), who is also trying to learn to love herself as she is. Unfortunately, while Violet is learning to grow, her mother is not, and she remains judgmental of Violet’s new life choices, including her dating a hairdresser with a child.

    It stifles Violet from fully embracing who she could be. When Clint re-enters the picture, you can sense she’s conflicted over whether or not she wants to return to the life she had planned for herself before the non-proposal and botched hair mishap. When Clint asks if she’ll regrow her hair, all Violet can say is that she doesn’t know, while lamenting the money and time wasted on caring for her hair, striving for perfection.

    While there is romance to be had in Nappily Ever After, the film’s true message isn’t to find love elsewhere, but to love oneself, to be who you truly want to be rather than who everyone else expects you to be. Sanaa Lathan is excellent in this film. Watching Violet’s character grow from beginning to end is quite the experience.

    She is rather unlikable in the beginning, spurred on by her success, vain, and entitled. There is no sympathy when her boyfriend explains that he can’t marry her when he doesn’t even really know her, because it’s quite clear that Violet isn’t looking for a partner; she’s looking for the perfect husband to match her perfect hair, perfect job, and perfect home.

    But then her hair goes from bad to worse, and as soon as Violet picks up those hair clippers, things are about to change for the better. It’s probably the best scene in Nappily Ever After, and certainly the most moving. It is done so beautifully that I can feel every single emotion Violet goes through as she shaves her head. Despair, frustration, happiness, and shock. The scene takes its time, allowing us to process the symbolism of what Violet is shedding, even in her drunken state.

    And, of course, the ‘harsh light of day’ moment in the morning when she sees herself in the mirror for the first time, hungover and mostly bald. Lathan carries these scenes brilliantly, and suddenly, Violet is three-dimensional, allowing her vulnerability to shine as she begins to realize that image isn’t what makes a woman a woman.

    Nappily Ever After is worth a watch. I can’t say enough about how wonderful Sanaa Lathan was, but you also get the bonus of a gorgeous Lyriq Bent and Ricky Whittle romancing her. That being said, the romance does not overwhelm Nappily Ever After’s true meaning, which is self-empowerment, and in my opinion, the ending is as satisfying as any other great rom-com.

    Watched: 01/11/2019
    Notable Song: Holy by Jamila Woods

    Rating: