Tag: Pete Davidson

  • ‘Meet Cute’ (2022) Review

    ‘Meet Cute’ (2022) Review

    Meet Cute Synopsis: A wildly inventive deconstruction of the romantic comedy built around the question: What would you do if you could travel to your loved ones’ past, heal their traumas, fix their problems, and change them into the perfect partner?


    After Sheila and Gary meet one evening at a bar, they immediately hit it off and share a magical night together in New York City. Then, Sheila reveals she’s a time traveler who has shared the same night with Gary for the past week… because it’s the first time she’s been truly happy in years. Sheila repeatedly relives the same date, convinced that the only thing that could follow such perfection is a downward, messy spiral into misery. But with each week and month that passes, things begin to change, and Sheila must learn that you cannot freeze time to change the future.

    Meet Cute is definitely not what I expected when I sat down to watch it. I hadn’t watched the trailer and knew virtually nothing about the plot beyond the basic synopsis, so it made for an interesting initial viewing.

    Kaley Cuoco is Sheila, a woman struggling with depression who finds one perfect night of happiness with Gary. The problem is that Gary has only known her for a night, and discovering you’re a stranger’s reason to live is a heavy weight to carry. Cuoco gives a fantastic, multifaceted performance as Sheila, who can be both adorably awkward and frighteningly caustic.

    Pete Davidson shows some range as Gary, charming and laid back, seemingly more than content to take a ride on Sheila’s crazy train, even when it ends in disaster. The two leads have enough chemistry on-screen to make you root for them, even when Sheila’s tipped over into manic desperation and Gary is cautiously taking a step back for the safety of his own sanity.

    This movie is going to be compared to Groundhog Day and Palm Springs, rightfully so, but Meet Cute pushes itself even further with the darker side of time travel. Sheila’s suicidal urges are not exactly played for laughs, and her depression existed long before she discovered the time-traveling tanning bed. She’s not stuck in a time loop like the protagonists of the other two movies, but she’s stuck in life, and thus, reliving the same perfect night over and over is a different kind of time travel hell that she can’t seem to let go of.

    Beyond the tanning bedtime machine (double feature idea with Hot Tub Time Machine?), I think Meet Cute shoots for more realism than most romantic comedies. Director Alex Lehmann hits a lot of dark notes, but it’s done in such a way that it never feels contrived or manipulative. Real people experience trauma and moments of worthlessness. Can love really cure everything? Would going back in time to change dramatic moments in our lives make us different or better people? Lehmann poses these questions and more, and while they’re interesting to ponder, we only see the truth through Sheila’s eyes.

    We don’t know why Sheila is so sad, beyond the knowledge that her dad was an alcoholic who died and her mother was neglectful. We know even less about Gary beyond a snippet here and there, which is a minor disservice to how much we’re supposed to care when Sheila changes his past to “fix” him. I understand this is an 89-minute movie, so they can only do so much, but without a lot of backstory to Sheila and Gary, it’s sometimes hard to understand their motivations.

    Still, Meet Cute is definitely worth a watch. It flips the romantic comedy genre on its head and, gasp, makes us think. But is there a happy ending? Does the sun eventually rise for Gary and Sheila? Watch and find out.

    Watched: 09/23/2022
    Notable Song: Will You Still Love Me Tomorrow by Lauren Spencer Smith

    Rating:

  • ‘What Men Want’ (2019) Review

    ‘What Men Want’ (2019) Review

    In 2000, Nancy Meyers’s film about a chauvinistic, womanizing ad exec who finds himself with the ability to read women’s minds became a box office hit, raking in nearly $182 million ($378m worldwide), and What Women Want became the highest-grossing romantic comedy of all time until My Big Fat Greek Wedding dethroned it two years later.

    Nineteen years later, we’re given What Men Want, a gender-swapping remake that finds Taraji P. Henson as overachieving, ballbusting sports agent Ali (named after boxer Muhammad Ali) Davis on the verge of being made a partner within her male-dominated sports agency. Predictably, she’s passed over for an undeserving colleague because most of her clients are women rather than athletes who dominate in the big three (MLB, NFL, and NBA).

    After confronting her boss over the slight, she’s told to stay in her lane because it’s what she’s good at. Using this offense as fuel, Ali becomes determined to sign Jamal Barry (Shane Paul McGhie), the projected number-one pick in the upcoming NBA draft. Unfortunately, Barry comes with an eccentric, greedy, ego-driven father (Tracy Morgan) who calls himself Joe Dollar. He also calls all the shots for Jamal’s future, making Ali’s goal more difficult.

    That is, until she drinks some dirty tea from a weed-dealing psychic (a scenery-chewing Erykah Badu) on the night of her friend’s bachelorette party and knocks herself out dancing at a club. When she wakes up, she realizes she can read men’s thoughts. After the subsequent freak-out, Ali realizes she may be able to use her newfound ability to successfully court Jamal and his father while discovering just why her male colleagues continue to railroad her promotion.

    While Mel Gibson’s character was a jerk who needed women’s thoughts to help him get in touch with his feminine side in What Women Want, Ali is much more likable, her tough exterior understandable given her work environment and the fact that she was raised by a single father who surrounded her with sports. Ali believes she needs to be ruthless and unrelenting to succeed, and while that is probably true, she begins to realize some of her male colleagues think she’s the male equivalent of a dick.

    You can tell this begins to unsettle Ali, especially when her behavior starts to strain her relationship with not only her friends (played by Phoebe Robinson, Tamala Jones, and Wendi McLendon-Covey), but with her new romantic interest Will (Aldis Hodge), a single father who Ali was initially using as her fake husband to impress Joe Dollar but then, of course, began to have real feelings for when she realizes – or rather, hears – how much he adores her.

    Director Adam Shankman delivers a movie that is determined to straddle the line between outlandish and heartfelt, but instead, it just feels muddled and disjointed. What Men Want is raunchy and silly, and there aren’t many genuine laughs. Tracy Morgan essentially plays his character, Tracy Jordan, from 30 Rock. Pete Davidson appears as a closeted gay employee whose only purpose seems to be thinking about dick and saying ”fuck” a lot on the phone. Nearly every thought Ali hears from the men around her is vulgar, idiotic, or nonsensical. Basically, it’s exactly what you would expect in a movie like this.

    I found Henson to be the film’s only saving grace. She brings radiance and strength to the role of Ali, not to mention the kind of likability that was most definitely needed, especially towards the end of the film, when Ali uses her gift in a cringeworthy, mean-spirited moment disguised as the spirit of truth. The underlying theme here is: What is the responsibility of someone who finds themselves in Ali’s position? Do they have an obligation to reveal some brutal truths? It’s an interesting question, but unfortunately, the answer is barely addressed.

    Ultimately, Ali doesn’t need to learn to be more feminine or accessible to men. She needs to learn to empower herself without the approval of the men in her life, let her guard down, and be open to the idea that she can succeed independently rather than depending on being part of the boys’ club.

    I enjoyed What Men Want for Henson’s performance and some brief, fun moments, but otherwise the movie is just a cookie-cutter rom-com trying to project a more profound message and failing.

    Watched: 02/07/2019
    Notable Song: Push It by Salt-N-Pepa

    Rating:
  • ‘Set It Up’ (2018) Review

    ‘Set It Up’ (2018) Review

    Set It Up was one of my favorite movies to watch in 2018. The premise might not be overly original, but the writing and chemistry between the two leads make the rom-com feel like it’s reignited the genre. There are genuine laughs in Set It Up and some naughty humor that toes the line quite perfectly between hilariously raunchy and just plain over-the-top raunchy.

    Zoey Deutch and Glen Powell have some incredible chemistry, and you see it almost from the very first scene they share together. There is no insta-romance or quick attraction between Harper and Charlie. Their ‘meet cute’ is them fighting over who gets the lone takeout meal during a late night at work, only to return to their demanding, hungry bosses. From there, the relationship shifts to the two of them plotting to set up their bosses, and in the process, they become friends, and from there… well, the pizza scene comes. Oh, the pizza scene. If I created a list of my top ten rom-com moments, you would most definitely read about the pizza scene.

    Another plus is the development of the secondary characters. Lucy Liu is a badass woman, strong and unapologetic, but plays that yearning to be a bit softer with emotional nuance. Taye Diggs is gorgeous and charming with just the right amount of smarminess that you’re almost willing to forgive… almost…okay, not really, since he’s a bit of a jerk!

    They’re both demanding and stubborn, caught up in their own personal and professional worlds that one might think they’re completely oblivious to the plights of their overworked assistants. Thankfully, Set It Up doesn’t stick to the one-dimensional stereotype of a ‘workaholic boss,’ and they give Kirsten and Rick plenty of moments where their personalities and chemistry can shine through.

    Set It Up plays the rom-com tropes to a T, but it works. It works so well. Those of us who watch these movies know how most of them will end, but the really special ones will have us feeling the happy endings right to our core. Set It Up is one of those movies.

    Watched: 08/18/2018
    Notable Song: Romeo and Juliet by Dire Straits

    Rating: